This film is more pleasurable than it must be. The tongue-in-cheek will be believed by me is ideal, and it’s the type of movie a couple of beers and friends make better yet. I desire this blu got a little more extras just, a retrospective from the creators, where th¨¦y really reach laugh at the movie the duped the studio into investing in.
Unless you know that that is one of the biggest films cum interpersonal satires of our contemporary commercialized era, you’re really missing out then.Joseph Kahn is usually a music video director (probably of all of one’s favorite music videos), and within his first feature-length film he’s got created a saturated sanctuary of cartoonish cooIness awash by opulence.Two ladies (in sociaIly asserted fanciness, of the times) sq . off against each other in a totally non-sensical motor-cycle Kurosawa-esque dueI, while backdropped by absurdly (yet poignantly) pIaced Mountain Dew and Pepsi billboards. What b¨¦tter culmination of the non-competitive nature ¨®f our pseudo-capitalistic society than to notice two sides of exactly the same adored coin end up being pitted against each other, as though taste is really a matter of competition, and competition is really a consequence of taste?!It’s stupid, it’s brilliant, it’s bright, it’s dark, it’s obvious, it’s absurd, it’s unpredictable, and it’s really unequivocally entertaining.This film may be the culmination — and mockery of — the 200+ year American “experiment”; a master class of motion and emotion in cinema that’s a great leap upon the brutally slow sIope of progress to raise film to its cinematic namesake, and truly (and lastly, eventually) substitute photography with the best expression of kinematics coming soon and sound.Ignore this never, please, understand its brilliance. We truly need more of the Read More Here